Ultradiana goes on a small tour through indipendent art and music places between november and december.
Different places different resolutions, timings, settings.
Here the program:
November, 24th: Base (Florence) _ 3 hours sound performance + residual listening sculpture on view until november 30th
November, 26th: Bunker (Turin) with Villa Recordings crew _ live set
December, 10th: Localedue (Bologna)_6 hours sound performance
December, 13th: Careof (Milan) _ 3 hours sound performance + residual listening sculpture on view until december 23rd
15/10/16 _ Finally, after many sunrises of mixing and overdubbing, i’ll perform Ultradiana_I, a first 12 hours batch of magnetic recordings for voices and electronic treatments based upon cyclic ritual rhytms.
The first recording location was the underground parking lot of Villa Borghese, projected by the architect Luigi Moretti in 1966.
The impro vocals were performed once again by the wonderful Letizia Fiorenza and Carlotta Martina Crapes.
On listening on Saturday, October 15th, from midday to midnight at Fondazione Memmo, Rome.
Thanks to Francesco Demichelis, which took a series of beautiful optical bench photos of the parking lot architecture, and to Fondazione Memmo for the production of the performance.
13/10/16 – 06/01/17 _ Stasi (first study on Jakob Ullmann’s Horos Meteoros) will be presented at Quadriennale Q16 – Altri tempi, altri miti, within the show Orestiade Italiana, curated by Simone Frangi at Palazzo delle Esposizioni, Rome.
Programmed listening sessions every wednesday, saturday and sunday from 7pm to 8pm.
ātman, a piéce of mine is out for Farmacia901 label in its project Quark: How Does The Invisible Sound
Have a listen and an overview on the project here:
six studies on a mediated land (2014) will be presented within the program of Helicotrema Recorded Audio Festival première @ World Breakers, Centrale Fies, Dro, Italy. Curated by Blauer Hase and Giulia Morucchio.
On listening July, 30th at 7 pm
15/07/16 – 11/09/16_Canto Minore (minor strain) on listening at Chiesa di San Salvatore, Città Sant’Angelo (PE), curated by Francesca Lilli for Why Patterns?, with works William Basinsky, Richard Chartier, Christina Wantzou, Fabio Perletta, Matteo Nasini and more.